SALT AXIS – SALZTANGENTE

Skulptur-Biennale Münster­land 2005

An 80kms sight-specific in­stal­­lation between the cities of Gronau and Bocholt (public art).
Münsterland, Germany, since 2005 (unlimited)

Turing Tables
Observatori Festival, Valencia, Spanien 2003
Observatori Festival, Valencia, Spanien 2003
Observatori Festival, Valencia, Spanien 2003
Observatori Festival, Valencia, Spanien 2003
Salt Axis: Location Gronau - Epe (km 10,8)
Salt Axis: Location Ahaus - Haus Horst (km 23,1)
Salt Axis: Location Ottenstein - Hörsteloe (km 34,4)
Salt Axis: Location Vreden - Ostendarp (km 45,9)
Salt Axis: Location Stadtlohn - Wenningfeld (km 51,5)
Salt Axis: Location Südlohn - Oeding (km 66,3)
Salt Axis: Location Borken - Burlo (km 73,8)
Salt Axis: Location Bocholt - Barlo (km 79,4)
Die Salztangente | Salt Axis
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Salt Axis: Location Gronau - Epe (km 10,8)
Salt Axis: Location Ahaus - Haus Horst (km 23,1)
Salt Axis: Location Ottenstein - Hörsteloe (km 34,4)
Salt Axis: Location Vreden - Ostendarp (km 45,9)
Salt Axis: Location Stadtlohn - Wenningfeld (km 51,5)
Salt Axis: Location Südlohn - Oeding (km 66,3)
Salt Axis: Location Borken - Burlo (km 73,8)
Salt Axis: Location Bocholt - Barlo (km 79,4)
Die Salztangente | Salt Axis
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The project Salztangente (Salt Axis) that emerged as part of the frame­work of the Skulptur Biennale Münster­land en­gaged – similar like Turing Tables – with a geological visualization problem, in this case referring not to a »now« constructed by current data as real time, but a hardly con­ceiv­able time frame of two hundred million years.

In Borken District, Münster­land, there is a large set of sub­ter­res­trial salt deposits that have been significant for this region in terms of both geological and cultural history. Along an 80-kilometer axis, marked as a bike path, Franz John has con­struct­ed several fields with rods of an average height of three me­ters; these rods indicate the former depth of the «primeval sea» that dried up long ago, re­spon­sible for the salt de­pos­its, replaced by a «cultural land­scape» that defines itself in part by way of its use of the salt.

In this way, bicyclists can in a sense place themselves in an imagined underwater space, but also an entirely «expe­ri­ence­able» space of history, whereby the colored markings are in­dexed using a scale be­tween blue and grey based on geo­log­i­cal maps, indicating the thick­ness of the salt de­pos­its in the respective site.

Despite appearing similar in a formal sense, there is here an imaginably immense contrast to the Land Art experiments from the 1960s and 1970s, for central to Franz John’s work is the mo­ment of mediacy be­tween ab­stract knowledge and indi­vid­ual experience.
Text by Clemens Krümmel

 


related project info:
Franz John – Die Salz­tangente (refering project website with GPS-coordinates)
kunstaspekte.de: Skulptur-Biennale Münsterland 2005 
NRW-Skulpture Guide: Franz John – Die Salztangente

Franz John – Die Salz­tangente | catalog with info and bike­maps
(ed.) Kreis Borken – Kulturamt, ISBN 3-937432-09-4